In this exercise the lines are parallel and disappear out of the frame. Much of Laszlo Moholy-Nagy’s work consisted of parallel lines, photographed from above. I tried to recreate his photograph of boats in Marseille using small fir cones instead of boats. To obtain the results I wanted, ie: defined texture of the fir cones, I used an off camera flash. This had the added benefit of creating shadows in lines in addition to the fir cones themselves.